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Thursday 19 May 2011

Genius Of Photography.

Documents for artists.

The first World War marked the triumph of the machine over the mereley human. The high explosives, the machine guns, the tanks and planes exposed the fallibility of humanity just as much as the folly of war had one. When the war ended, people wanted to become more machine like. Houses became machines for living, writers became enginners of the human soul, chorus lines were fine tuned like precision instruments and the rich and famous took on the sheen sports cars.
The Genius of Photography-Documents for Artists examines in detail the work of some of the greatest and most influential modern photographers.

In the age of the machine, photography was seen as a machine-like process manufacturing objective truths purged and emotion. But, for Man Ray, the camera was not a machine for making documents but an instrument for exploring dreams, desires and the medium's unconscious mind.

"He was such a natural maverick in the photographic medium that he almost effortlessly discovered all these ways to be a photographer that no one had thought of before. And they were so perfectly in tune with the moment of Dadaism and Surrealism. All these things like making photographs in the darkroom just by sprinkling and scattering interesting objects on photographic paper and then just switching the light on very briefly to allow these objects to imprint themselves on the paper and then just developing it out, no camera involved. He discovers the solarisation process inadvertently, in the late 1920s, and he makes people look as though their faces are of aluminium. They become sort of sleek and metallic like the mascots on the front of those rather swish, fast cars. They become these super-people, also slightly inhuman, slightly robotic." (Mark Haworth-Booth, Photo-historian)




so basically:

 
Man Ray was famous  for using different darkroom techniques such as photogram’s and photographs.
After the first world he created influential photos making people look machine like and metallic. Man ray took this as a form of documentation where as the rest of the world just saw photography and another form of machinery.
 
 
Alexander Rodchenko

Rodchenko was famous for his blacked out photos. He captured images men's form the amry. Afer that he became a public enemy and he was told  to destroy all the pictures but he decided that instead of destroying his own work he will cover their faces with black ink.
 
 

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